Hase & Associates



Press

Thomas C. Hase - Reviews/Articles

Castor and Paience, Cincinnati Opera, 2022
Review by Heidi Waleson/Wall Street Journak

Review by Janelle Gelfand/Business Courier

Aida, Cincinnati Opera, 2022
Review by Janelle Gelfand/Business Courier

L'Orfeo, Nederlandse Reisopera, 2020
Review by David Barbour/Lighting & Sound
Review by Peter Franken/Place de l'Opera
Review by Michael Hasted/Arts Talk Magazine
Review by Thea Derks/Cultuurpers

Fellow Travelers, Arizona Opera, 2019
Review by Maria Nockin/Opera Wire

Der Freischütz, Wiener Staatsoper, 2018
Review by David Barbour/Lighting and Sound

Giulio Cesare": Opera North, Leeds, UK, 2019
Review by Melanie Eskenazi/Music OMH
Review by Eve Luddington/On Yorkshire Magazine
Review by Richard Wilcocks/Bachtrack

Magic Flute, Dallas, 2019
Review by Scott Cantrell/Dallas Morning News

Hells Fury, Toronto, 2019
Review by Paula Citron/Ludvig Von Toronto
Review by John Terauds/The Star

Otello, Austin Opera, 2019
Review by Robert Faires/Austin Chronicle

Figaro, San Diego Opera, 2019
Review by Bill Eadie/San Diego Story
Review by Pam Kragen/San Diego Union-Tribune

Ariadne, Cincinnati Opera, 2019
Review by Rafael de Acha/Seen and Heard International

A Little Night Music, Wilminktheater, Enschede, Netherlands 2019
Review by Thea Derks/City Newspaper

Revival: The Resurrection of Son House, Geva Theater Center, Rochester, 2019
Review by Leah Stacy/City Newspaper

Romeo and Juliet, Cincinnati Opera, 2019
Review by Jay Harvey Upstage
Review by Rafael de Acha/Rafael's Music Notes

The Coronation of Poppea, Cincinnati Opera, 2019
Review by Janelle Gelfand /Cincinnati Business Courier

Ariadne auf Naxos, Santa Fe Opera, 2018
Review by James Sohre/Opera Today

Silent Night, Opera North, Leeds Town Hall, 2018
Review by Edward Bhesania/The Stage

Fellow Travelers, Chicago Lyric Opera, 2018
Review by John von Rhein/Chicago Tribune
Review by Navida Stein/Stage Buddy

Don Carlo, Washington National Opera, Kennedy Center, 2018
Review by David Friscic/DC Metro Theater Arts

Be Here Now, Cincinnati Playhouse in The Park, 2018
Review by Jackie Mulay/CityBeat

Un Ballo in Maschera, Opera North, UK, February, 2018
Review by Clive Barda/Reviews Hub

Taming of the Shrew
Review by Lawrence Johnson/Chicago on the Aisle

Le Nozze di Figaro, Philadelphia Opera, 2017
Review by Cameron Kelsall/Talkin' Broadway
Review by David Patrick Stearns/Philadelphia Inquirer & Daily News

Norma, Dallas Opera, 2017
Review by Gregory Sullivan Isaacs/Theater Jones Reviews
Review by Monica Smart/Dallas Observer

The Glass Menagerie, Milwaukee, 2017
Review by Dave Bengel/On Milwaukee
Review by Dominique Paul Noth/Urban Milwaukee

Mary Poppins, Syracuse Stage, 2016
Review by Natasha Ashley/Broadway World

Billy Budd, Opera North, UK, 2016
Review by David Nice/TheArtsDesk.com
Review by Kate Kellaway/The Observer
Review by Sue Collier/Reviews Hub

The Marriage of Figaro, Lyric Opera Kansas City 2016
Review by Kelly Luck/KC Stage

Die Fledermaus, Cincinnati Opera Season 2016
Review by Rafael De Acha/Seen and Heard International

Tosca, Cincinnati Opera 2016
Review by Janelle Gelfand/Cincinnati Enquirer
Review by Rafael De Acha/Seen and Heard International

Fellow Travelers, Cincinnati Opera 2016
Review by Heidi Waleson/Wall Street Journal
Review by Anne Arenstein/CityBeat
Review by John von Rhein/Chicago Tribune
Review by Ryan Leeds/The Broadway Blog

The Lion in Winter, Repertory Theatre of St. Loius, 2016
Review by Chris Gibson/Broadway World
Review by Tina Farmer/KDHX
Review by Mark Bretz/Ladue News
Review by SnoopMK/Snoop's Theatre Thoughts
Review by Steve Allen/Stage Door

La Finta Giardiniera, Santa Fe Opera, 2015
Review by Terry Ponick/Communities Digital News

Iolanta, Dallas, 2015
Review by The Mixmaster/Dallas Observer
Review by Scott Cantrell/Dallas Morning News

The Hound of the Baskervilles, Indiana Repertory Theatre, 2015
Review by Ken Klingenmeier/A Seat on the Aisle

Don Giovanni, San Diego, 2015
Review by Ken Herman/San Diego Story
Review by Brad Auerbach/Entertainment Today

La Bohème, San Diego, 2015
Review by David Gregson/Opera West
Review by Erica Miner/Opera Pulse
Review by Ken Herman/San Diego Story

Macbeth, Delaware Opera, 2014
Review by Gail Obenreder/Delaware Online
Review by Ruth Brown/Stage Magazine

Madame Butterfly, Cincinnati Opera, 2014
Review by Joe Law/Opera News
Review by Janelle Gelfand/Cincinnati Enquirer

Carmen, Cincinnati Opera, 2014
Review by Mary Ellyn Hutton/Music in Cincinnati

Rigoletto, Seattle Opera, 2014
Review by Philippa Kiraly/City Arts
Review by Maggie Larick/Queen Anne News & Magnolia News
Review by Thomas May/Memeteria

A Christmas Carol, Syracuse Stage, 2013
Review by Craig Thornton/Fox News
Review by Neil Novelli/The Post Standard

Galileo Galilei, Cincinnati Opera Season, 2013
Review by Rafael de Acha/Seen and Heard International

Aspern Papers, Dallas Opera, 2013
Review by Heidi Waleson/Wall Street Journal
Review by Gregory Sullivan Isaacs/Theater Jones
Review by Scott Cantrell/Dallas Morning News
Review by Anne Midgette/Washington Post

Sense and Sensibility, Milwaukee Repertory Theatre, 2012
Review by Mike Fischer/Journal Sentinal

Moby Dick, Syracuse Stage, 2012
Review by Josh Austin/BWW Reviews
Review by James MacKillop/Syracuse New Times

Red Syracuse Stage, 2012
Review by Tony Curulla/Syracuse.com

Double Bill: Pagliacci and Gianni Schicchi, Cincinnati Opera, 2012
Review by Janelle Gelfand/Cincinnati.com

Porgy and Bess, Cincinnati Opera, 2012
Review by Joe Law/Opera News
Review by Mary Ellen Hutton/www.MusicInCincinnati.com
Review by Stephanie Wilks/SpyCincy.com

La Traviata, Dallas Opera, 2012
Review by Scott Cantrell/Dallas News

Thunder Knocking on the Door, Cincinnati Playhouse, 2012
Winner of FOUR League of Cincinnati Theatres Awards
Review by Jackie Demaline/Cincinnati Enquirer

Prima Donna, New York City, 2012
Review by Olivia Giovetti/WQXR
Review by Associated Press/Washington Post

The Lighthouse, Boston, 2012
Review by Lloyd Schwartz/Boston Phoenix
Review by Harlow Robinson/Boston Globe

Giulio Cesare": Opera North, Leeds, UK, 2012
Review by George Hall/Stage Review
Review by Laura Kate Wilson/Bach track
Review by Fiona Maddocks/The Observer

As You Like It, Cincinnati Playhouse, 2011
Review by Jackie Demaline/Enquirer

Ten Chimneys, Milwaukee Repertory Theatre, 2011
Review by Third Coast Digest/Tom Strini

A Flowering Tree Cincinnati Opera's 2011 Season
Review by Cincinnati Inquirer/Janelle Gelfand

The Clean House, Syracuse Stage, 2011
Review by Casey Callaghan/Syracuse Theater Examiner
Review by Connie Meng/NCPR
Review by Tony Curulla/Syracuse Post-Standard

The 39 Steps, Quadracci Powerhouse Theater, Milwaukee, 2011
Review by Graham Kileen/Milwaukee Journal Sentinal

The Beauty Queen of Leenane, Waterford, Ireland, 2010
Review by Liam Murphy/Munster Express

Die Meistersinger, Cincinnati Opera, 2010
Review by Mary Ellyn Hutton/MusicInCincinnati.com
Review by Janelle Gelfand/Cincinnati Enquirer

The History of Invulnerability, Cincinnati Playhouse, 2010
Review by Rick Pender/City Beat

The Price, Geva Theatre, 2010
Review by Eric Rezsnyak/Rochester City Newspaper

Prima Donna, Sadler's Wells Theatre, London, UK and Toronto 2010
Review by David Nice/The Desk
Review by Tim Smith/Baltimore Sun
Review by Glenn Sumi/NowToronto.com
Review by Carly Maga/Torontoist.com

Cincinnati Opera 2009 Season: Carmen and Ainadamar
Review by UK Opera Review/Charlie Parsons

Otello, Dallas Opera, 2009
Review by Paul Wooley/ConcertoNet

Ainadamar, Cincinnati Opera, 2009
Review by Joe Law/Opera News Online
Review by Tom McElfresh/City Beat

Carmen, Cincinnati Opera, 2009
Review by Mary Ellen Huton/MusicInCincinnatti.com

The Children's Crusade, Toronoto, Canada 2009
Review by National Post/Adam McDowell

Jekyll & Hyde, Repertory Theatre of St. Louis & Cincinnati Playhouse, 2009
Review by City Beat/Rick Pender
Review by Cincinnatti Enquirer/Jackie Demalin
Review by KDHX-FM/Andrea Braun part 1 and part 2
Review by KFUO-FM/Steve Allen
Review by The Ladue News/Mark Bretz
Review by KWMU-FM/Joe Pollack

Rusulka, Canadian Opera Company, Toronto 2009
Review by Globe and Mail/Robert Everett-Green
Review by Now Magazine/John Kaplan
Review by Toronto Sun/John Coulbourn
Review by Canoe.ca/John Coulbourn

The Turn of the Screw, Portland Opera, 2009
Review by James MacQuillen/Oregonian
Review by David Stabler/Oregonian

Lucie, Cincinnati Opera, 2008
Review by Janelle Gelfand/The Enquirer

Madame Butterfly, Cincinnati Opera 2008 Season
Review by Janelle Gelfund/The Enquirer
Review by Mary Ellyn Hutton/Music in Cincinnati

Il Puritani, Seattle Opera, 2008
Review by Bernard Jacobson/Seen and Heard Internat'l Opera Review

Pelléas et Mélisande, Four Seasons Centre, Toronto 2008
Review by John Terauds/The Star
Review by John Coulbourn/Sun Review

The Fortunes of King Croesus, Opera North, Leeds, UK & Minnesota Opera, 2007 and 2008
Review by Heidi Waleson/The Wall Street Journal

The Blond, The Brunette and the Vengeful Redhead, Cincinnati Playhouse in the Park, 2008
Review by Cincinnati Enquirer/Jackie Demaline
Review by City Beat/Rick Pender

Cincinnati Opera renews Thomas Hase's contract.

The Fortunes of King Croesus, Opera North, Leeds, UK, 2007
Review by The Independent on Sunday/Lynne Walker

Othello, Cincinnati Playhouse in the Park, 2007
Review by Cincinnati Enquirer/Jackie Demaline

Cosi Fan Tutte, Cincinnati Opera 2007 Season
Review by Cincinnati Enquirer/Janelle Gelfand

Elektra, Canadian Opera Company, Toronto, Canada, 2007
Review by Now Magazine/Glenn Sumi
Review by Toronto Star/John Terauds
Review by Toronto Star/John Coulbourn

La Boheme, Seattle Opera, 2007
Review by The Herald/Mike Murray
Review by Seattle Weekly/Gavin Borchert
Review by Crosscut/Thomas May
Review by Seattle Times/Melinda Bargreen

Luisa Miller, Canadian Opera Company, Toronto, Canada, 2007
Review by Toronto Star/John Terauds

Rise & Fall in the City of Mahagonny, Los Angeles Opera, 2007
Review by Hollywood Reporter/Madeline Shaner
Review by Opera West/David Gregson
Review by Theatre Mania/Les Spindle
Review by Variety/Allan Rich
Review by LA Maiinia

Company, Broadway, 2006
Review by Variety/David Rooney
Review by NY Post/Clive Barnes
Review by NY Times/Ben Brantley
Review by New York Times/Charles Usherwood

The Wiz, Stage Entertainment, Utrecht, Netherlands, 2006
Review by Leeuwarder Courant/Wim Vervoot
Article by Ellen Lampert-Gréaux

Waiting for the Barbarians, Theater, Erfurt, Erfurt, Germany, 2005
Review by Seen and Heard Internat'l/Marc Bridle

A Doll's House, Irish National Theatre, Dublin, Ireland 2005
Review by RTE/Jim McMahon

La Voix Humaine, 7 Deadly Sins and Medusa, Cincinnati Opera, 2003
Review by Cincinnati Post/Mary Ellyn Hutton

Smell of The Kill, Cincinnati Playhouse in the Park, 2003
Article by Lighting Dimenstions/David Barbour

Elektra, Cincinnati Opera, 2002
Review by Cincinnatti Post/Mary Ellyn Hutton

Magic Frequencies, Alex Theatre, 2000
Review by LA Times/Mark Swed

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